That really does it for me...
The google for
deathboy "let me show you"
winds up with a link on Natasha Thomas' fucking fansite.
Ohhhhhhh, i'll get sued now.
:)
I guess I should re-iterate that my usage of the track "Let Me Show You", which I consider absolutely enchanting, but found the urge to rip off the MOV from LaCost's advert site and make it into some real music is absolutely illegal insofar as I shouldn't be distributing a reused copyrighted work.
So, ok, nobody tell on me, yeah?
Because if you do, you're basically that kid that was friends with the rich, pretty kid who had all the cool stuff.
I wrote this track because I listened to the advert many, many times.
I fell in love with it.
I looked into it and found it was a strange ad-version of a track called "save your kisses" by Natasha Thomas. The more I researched, the more my idea that the girl who sang this was some fairy-like perfect child was reinforced.
She's so perfect that she's been adopted as a spokesperson for LaCoste, with an empassioned version of her song for the track. The original of which is just an Ace of Bass ripoff. But that advert version? Fuck. Made me 13 again. Made me fly. Made me want to take drugs again.
I wish I could be perfect. I know I can't _be_ perfect. I know I can't even fool them. But I continue to construct increasingly more subtle disguises.
I live in a world looking out and up at these perfect creatures. They live in a different world to me, dictating what's liked, what's right.
Sometimes I agree. Usually, I want to burn them all down and rape their carcasses.
Sometimes they accidentally snag a fairy princess.
'course, by now, they'll have made her a whore.
But for a brief moment, there's this glistening, perfect image in my mind, fluttering by.
So I'll seize it. And drown it in dirty, industrial amber.
Enjoying and/or copying my filthy industrial derivative shite clearly marks you out as being a member of the alternative alternative masses.
Fuck the system's sister, kids.
I'm so arrested.
Let Me Show You (a drug symphony in two parts) - DeathBoy
Let Me Show You (a game that we play) - DeathBoy
I realise that I've linked to this a few times, and here's why:
For all the music I've written this year, this is my favourite, this is what's really me, and inside me.
Black Morning is my fuckup loneliness. Cheap shot is my aggression. "Shut up" is my hatred. It's all facets.
I'm not mr angry deathboy. I hate and sliceup privately. I love and hurt differently. I AM mr angry deathboy. 'n then I'm blissful. This shouty music's a great fucking game.
I 'spose my hate-music is how I often AM.
My tech/fuckup/trip music is how I _want_ to be.
My music's my dreaming.
This is me. Dreaming.
The google for
deathboy "let me show you"
winds up with a link on Natasha Thomas' fucking fansite.
Ohhhhhhh, i'll get sued now.
:)
I guess I should re-iterate that my usage of the track "Let Me Show You", which I consider absolutely enchanting, but found the urge to rip off the MOV from LaCost's advert site and make it into some real music is absolutely illegal insofar as I shouldn't be distributing a reused copyrighted work.
So, ok, nobody tell on me, yeah?
Because if you do, you're basically that kid that was friends with the rich, pretty kid who had all the cool stuff.
I wrote this track because I listened to the advert many, many times.
I fell in love with it.
I looked into it and found it was a strange ad-version of a track called "save your kisses" by Natasha Thomas. The more I researched, the more my idea that the girl who sang this was some fairy-like perfect child was reinforced.
She's so perfect that she's been adopted as a spokesperson for LaCoste, with an empassioned version of her song for the track. The original of which is just an Ace of Bass ripoff. But that advert version? Fuck. Made me 13 again. Made me fly. Made me want to take drugs again.
I wish I could be perfect. I know I can't _be_ perfect. I know I can't even fool them. But I continue to construct increasingly more subtle disguises.
I live in a world looking out and up at these perfect creatures. They live in a different world to me, dictating what's liked, what's right.
Sometimes I agree. Usually, I want to burn them all down and rape their carcasses.
Sometimes they accidentally snag a fairy princess.
'course, by now, they'll have made her a whore.
But for a brief moment, there's this glistening, perfect image in my mind, fluttering by.
So I'll seize it. And drown it in dirty, industrial amber.
Enjoying and/or copying my filthy industrial derivative shite clearly marks you out as being a member of the alternative alternative masses.
Fuck the system's sister, kids.
I'm so arrested.
Let Me Show You (a drug symphony in two parts) - DeathBoy
Let Me Show You (a game that we play) - DeathBoy
I realise that I've linked to this a few times, and here's why:
For all the music I've written this year, this is my favourite, this is what's really me, and inside me.
Black Morning is my fuckup loneliness. Cheap shot is my aggression. "Shut up" is my hatred. It's all facets.
I'm not mr angry deathboy. I hate and sliceup privately. I love and hurt differently. I AM mr angry deathboy. 'n then I'm blissful. This shouty music's a great fucking game.
I 'spose my hate-music is how I often AM.
My tech/fuckup/trip music is how I _want_ to be.
My music's my dreaming.
This is me. Dreaming.